侘寂
Written in Chinese by Bao Wenyuan
一:皮肤
最初,人是飘荡的灵,从山上冒、在树尖爬、在河上流。皇帝将自己的一个个梦,关于星辰、关于玫瑰、关于坟墓的,一边想象、一边吹拂,将一个个原野或深海般浩瀚的梦,吹至膨胀为一层如云如雾的薄纱,刺破一个口,气流携带着漫山遍野的灵往内涌流,这种天然的引力被称为欲望。飘荡之物沿欲之赋格,如波那契数列,一个个爬进去。每等一只X走进去,皇帝便系住梦口,用镰刀割一下,如分装罐头的工人打包皮囊,包裹人之物源于叹息,因为工人正惦记着下班回家后喧嚣的孩子与妻子。
因此,自有族谱以来,所有人的皮肤都属于皇帝。人们只有皮肤的使用权,而皇帝有皮肤的所有权,皮肤只是被暂时租借于动物耕作,流转至它的脚掌。
每逢节气,皇帝以巡视开始祭祀,他于巡游之旅中,在每个人某个部位的皮肤上记录某段时间的人与兽。皇帝每夜坐在鸾床上叠人,将她的身体折叠多少次,拆成玫瑰花朵,洒满花瓣的村落里,人们躺在路上将皮肤排成一章章史书。
皇帝待在国家中央,每天只观察一种事物:他人的眼睛。皇帝将眼睛派遣各地,安装在每位村民身上。人们将全身用黑袍包裹,只露出一双自己的眼睛,藏匿身体某个部位上生长的皇帝之眼,这是他们人生中最大的秘密,不会对任何人透漏。因此他们彼此从未看见过其他人身上的皇帝之眼,但他们都知道对方身上长有一颗皇帝的眼球。
每个人都拥有随时脱离国家的自由,只是,脱离国家者会被皇帝收回皮肤。离境者被从头到脚剥下,无皮人赤裸着走向边境线,在距离界碑还有几百步的地方倒下。从来没有人能活着完整使用自己脱离国家的自由权。
很多年后,他们推翻了皇帝的统治,夺回了皮肤的所有权。政变的方式是他们一起吃掉了一个关于皇帝的梦。
这是那个梦:
晚年的凯撒希望再次看到自己征战的画面,于是召集术士为自己制作一台梦境播放器。他躺进术士制造出的箱子里,竟真的重新回到了战场上。
实际上,那个箱子里放着迷药,会迷晕凯撒,然后凯撒的军队会在他面前表演一场真实的战争。
凯撒对木箱子产生了依赖性,那能让他重新感受到自己的生命力。随着凯撒每天做梦,他军队的士兵因为每天表演真实的战斗,互相厮杀以至人数越来越少。最后,邻国入侵,凯撒的国家灭亡了,他死前并不知道自己的军队为什么没有出现。
被敌军包围的凯撒,打开箱子蜷缩在里面,他第一次在箱子里真正做了一个梦。
这是那个梦的内容:
罗马人攻占希腊后,按照最后一位死去的希腊哲学家的经典文献中的预言,拆毁所有泥土的建筑,用不会生锈的铅重新修建教堂。她们用铅道送水、铅杯饮水、铅锅煮食、铅粉化妆、铅罐发酵酒类……她们以铅重构民族的食谱、交通、节日,最终在预言中流产。失去嫡生的人捡拾动物作为儿女,不会再生下子嗣的本质是不会再生下梦,而梦是神话延续的肉体。最终,不会再做梦的整个古罗马灭亡于失去了自身的神话。
她上班摸鱼的时候会剥石榴,将一颗颗石榴籽咽入腹中,附着在胃壁上,吸收其体液。一个月后,她从口中吐出一颗石榴。她寻找石榴生长的缘由时,发现身体内侧的皮肤上写满了文字——他们身体里面一侧的皮肤仍旧被皇帝占据。
二:国王
他从某个贫穷的村落开始,玩权弄术,铲除异己,最终大权独揽,登上王位。在加冕的一刻,他的意识忽然抽离,重新回到了最初贫穷的村落,他需要让自己重新适应贫苦环境,习惯周围人对自己不再谄媚而是欺压的姿态,他要迅速回忆起一切,尽量保障事情按照之前的细节重演,直到自己重新登基。在加冕的一刻,他的意识忽然抽离,重新回到了最初贫穷的村落……他已经清楚这是某种刑罚,但他无法停下。
某天,他正在庭杖一位忤逆的文官,并亲手将其打得皮开肉绽。他并不知晓,其实文官来自遥远的外部世界,那时世界上已经没有任何不公、压迫与欺凌。不过人们有时反倒会怀念被伤害的复古体验,于是“通往奴役之旅”应运而生,游客前往古老的王朝,在暴虐君主面前扮演奴才,重新温习古老人类被剥夺自由的生活。
有时,偶尔会有游客失手杀死国王,国王游戏便会自动重启。
三:银杏
夏天,你和年迈的父亲在冰冷的地下室里,学习如何制作刨冰。将刀插入冰人体内,旋转,将它的冰肉搅碎。
父亲年轻时曾是捕鲸队的一员,他们用巨大的钻井机器,将辽阔厚重的冰面钻开一个洞。将船上缠绕的管道解开,一米米伸入冰下,冰层深处的某个神秘生物会将管道吞入口中。
船员们的工作是用管道给冰下生物做体检,他们每人手持一面镜子,钻入管道,沿着狭窄逼仄的空间一路前行,直到钻入冰下生物的胸腔,站在最里面的人用镜子反射冰下生物的心脏,通过每个人手持的一面面镜子,将它的心脏一路折射回船长室的显示屏上。
父亲在屏幕上看见,它的心脏是一颗银杏,在跳动时洒落叶片。抚摸银杏叶的人会习得人类尚未掌握的文字,每说出一个,便会掉落一颗牙齿。管道内的工人们以脱落所有牙齿为代价,将几十个文字从冰下传递回大陆。
很多年后,你问起父亲关于他曾经运输的那个文字。那时他已经弄丢了自己掉落的牙齿——只有用牙才能在泥土中雕刻出那个文字。于是他只能向你讲述一些重叠的故事,以此来表达关于那个文字的肤色和音韵学:
某个村落里的人以扎纸人为生,元宵节的一盏灯笼引燃了一具纸人,纸人连着纸人,将整座村落全部烧掉了。一片乌黑的土地上,每逢元宵节便会拔地而起一座纸扎的城。城中街道行走的每个人都是一件衣服。
其中某只妖精每走一步,脚印处便会留下一只他的鞋子,他一路行走,一串鞋子散落在湖面与山谷、跨越各个国家与大陆。居住在不同山川的人们,如果分别捡起其中一只鞋,穿在脚上,那么此刻穿上它的人不论彼此空间相距多远,都会睡着并进入同一个梦境,在梦中遇到另一个穿鞋的人。
整个宇宙的重量是此刻所有人做的梦的数量。人睡眠时,一只生物在生长——它最终会长到的尺寸是人一生中睡梦的长度。在它身体构成的那片土地上,生存着许多睡眠者的分身,正在日夜抄经。星空远方的文明尝试以文学、影像、音乐、舞蹈、建筑与雕塑等多种方式,诱导我们所在宇宙中的生命不再做实体的梦,从而使这一宇宙的质量持续减轻,最终蜷曲为一张纸,像一片银杏叶。
四:辞
人死后会从一片陶土之地爬出来,他唯一可做之事是学习陶艺。他们在漫长的死后时光里,捏出一个又一个人,唯一可临摹的对象是身边也在学习陶艺的人,他们的脸颊上都烧着一团火,将每个味蕾作为一块田地,在舌头上划分出一万多块田地,像佃农牵引水牛,行走在水田内插秧。直到将陶艺修炼至精妙绝伦,捏出的人已与真人无异。
陶人欲言语,但口中尚缺词。于是,死者爬进陶人口中,作为它的词,让它发声。并沿着它的声道,从自己亲手捏塑的新身体内出生。
祖母晚年躺回摇篮,你轻哼歌谣摇曳时,她以每晚的梦境向你传授仪式的一道步骤。你们从商朝开始做一种特殊生意:接到一个包裹,将它塞入阴道,一周后将产出物寄回某个隐秘的地址。
如果婴儿想要拒绝出生,重新返回死亡,他的家人便会联系到你们。只是大部分时候,父母通常无法察觉到这种极其细微,如蝉翼上露珠在震动的情绪。
你曾拆开一只代孕包裹,看见里面是一只正在动物化的楚辞。你跟随没有脸的邮递员,一路走回周人的部落,他们居住在一个个分离的小房间里,通过一只只水球作为传声筒。你向它读出一首诗,它为你开出一道药方。你带回家用海带汤熬煮,文符如蝌蚪游动,饮下后在体内生长。
村落里那些早已在流年洪灾、旱灾、火灾与人灾中死去的人们,凭借每夜饮下一口又一口楚辞中储存的记忆,维持人形。直到背诵时差错了一个字,体内的水将皮肤溶解,人化为一颗风中闪烁的灯笼。
你将妈妈演化的灯笼饲养在鱼缸里,水下的烛火吐出一颗颗琉璃泡,将繁衍欲与爬行欲作为节拍器,与你的心跳共振。你在共振的瞬间停止心跳,一开始只持续三秒,后来随着练习可以长达一分钟、三分钟,在那共振片刻,你看见万物在水中演化的历史版本——水中的楚国与航天器,驾驶员们发明出一种落入水里不会沉的语言,如鱼籽。
五:江流
这个国家的上流、中流与下流,分别生存着过去、现在与未来。
居住于上游的人,永远处于童年态。
他们长大的唯一方式,是坐入一口棺材,沿江面漂流。
至江流中部的平原上,从棺材内起身,上岸,开始中年人的生活。
他们衰老的唯一方式,是坐入棺材,沿江漂流至下游。
六:发明
每一任国王都是伟大的发明家,如玩拼图的孩子,逐渐发明出你们生活的每一部分:穿衣、饮食、丧葬、婚嫁与睡眠。
在构成国家的发明史中,第一任国王发明出鼓掌,它将自动打败每支部落的敌人:通过撞击握着矛的左手掌与握着盾的右手掌,将手持的所有武器敲碎。
第二任国王发明出笑,它将自动令被俘虏的部落遗忘刀伤:一位小丑站在舞台上,将裸露的肩胛骨研磨成止痛药,在灯光中撒入台下张开嘴的一朵朵遍体鳞伤的舌苔上,直到骨头磨完,下一个人上场。
第三任国王发明出无聊,它会使居民自动投入劳作:
……
你们将代号卡夫卡的克隆人选举成国王,希望它能发明出新的记忆格式,他如同程序员般兢兢业业地编写,最终留下了一百个问题,其中五十个是关于辞典中不包含的五十种情感。
第二十七种情感是关于一个孩子朗诵绕口令时想起已只剩下狗的故乡。那里原本是一个绕口令部落,部落里的每个人都是一支绕口令,互相称呼的时候要朗诵出对方的全部:
时间之始是湿漉漉的诗化肥挥发;
一只鸡以啄食习得记忆的技艺;
数尸出东门,过大桥,大桥底下一树尸,拿着竿子去打尸,青的多红的少:一具尸两具尸三具尸四具尸五具尸六具尸七具尸八具尸九具尸十具尸;
……
族长是一支最难的绕口令,谁都读不出来他的身体。卡夫卡暗杀族长后将其解剖,用显微镜观察族长体内的细胞,发现族长在身体内用集合论的视角来看待记忆与生活。族长向每位族人询问天气情况,移植入伪随机数发生器内,酿酒般酿出三十年的谚语(一个人三十年看过的所有天气)、六十年的谚语(一个人六十年抵御过的所有气象)……
卡夫卡切开族长的胰脏,双击打开谚语之母程序,一个名为亚当的永久进程开始运行,它在深海中绽放出心跳般的一艘艘潜艇,探测遗忘之物的收容器。
一只容器内是被遗忘的钢铁,孩子们在田埂间撂下农具,跑去捡拾炼钢废材,如机器人深夜漏油时使用的夜壶形状的,如星星理发时在环形山剃剩的一片片稻田般的毛茬形态的。
后来,所有的钢全都消失了,所有的文字标语一夜之间被收回。戴着红袖章的妈妈每晚睡在一面黑板上,等待标语们回家。在流动的黑色大地上,妈妈失踪的父亲被找到时,已经跑到工厂的水塔里在一根管子上吊死了,他已被所有人饮下。
妈妈收集人们的尿液,尝试从中蒸馏出自己的父亲,她在温室内的一片父系之雾中,分层滤筛不同人的父亲——对不可设想之物的迷恋是人的天性。死时,她的词条中只留下了一句话:他是世界上最大的蛙。
七:上班
你被雇佣工作不是为了让你做什么,而是为了让你不做什么。
隐藏于一切老板背后的人类命运规划部门会雇佣所有人工作。例如,如果雇佣希特勒去富士康流水线工作,便不会产生二战。
大部分人如果自由发展,都会成为各种奇奇怪怪的人。人类命运规划部门为了避免你们对人类命运产生干涉,会雇佣你们都去工作。
八:战争
他的儿子死在了一场战争中。他开始搜集一切能找到的关于那场战争的:新闻报道、研究著作、地图册、日记、口述、录像带与录音磁带……
他将世间关于那场战争的所有叙述,在家中搭建起一座战场:一颗颗流弹飞过,将夜空的胴体如火柴盒擦着点亮。他坐在重构的战场中央,尝试看清杀死儿子的人的身影。
九:尾巴营
你记录爷爷晚年的口述,如同将一根根茶叶梗从他的牙缝间挑出来,茶在水上漂成一本回忆录,记载了那座集中营内被屠杀的每个人。当时,作为刽子手的爷爷砍下每个人的尾巴后,放他们走了。
你闻嗅茶叶上曾滴落的雨水重量与积累的冰霜厚度,循着湿度、温度到维度,寻找集中营幸存者的足迹。你将自己关于回忆录的研究发表在人类学期刊上,许多学者并不相信曾经存在过这样一座集中营,因为这与其他一些记录资料互相矛盾。于是,你余生都在寻找那片集中营的所在,试图用它反射出爷爷作为刽子手的人性光辉。
很多年后,你用锄头挖掘出了那座废墟,在许多人类学研究者的共同见证下,古老集中营的焚化炉被打开,里面分拣出的碎骨并非是尾巴的骨头,而是一只只头骨。
他们无视你的反对,将这些研究资料全部发表出来了,没人理解你的拒绝、悲伤与绝望,分明你也因为这个历史性的发现获得了巨大声誉。
那些天里,看或听到讲述这座集中营的报纸、电视、广播的许多人、整个家族,灰飞烟灭。家中吃奶的孩子消失了,只剩下一个从餐桌上滚落的奶嘴;缝纫机在独自空荡荡的旋转,洗手池中滚出哗啦啦的水……棺椁中,早已过世的幸存者先祖也消失不见。
十:名牌
死去士兵的衣服被扒下来,送入后方工厂的浣溪池里,被女工用棍子翻捣。衣服领口上缝纫的名字,因布料短缺不会被撕去重缝,而是会被直接发给新兵,新走上战场的孩子会穿上前一个士兵的名字,直到他死去,这件衣服上的名字继续被发放给下一个人。
在战场上死去的一群群人,都穿着第一个死去的士兵的名字。在那场战争中,我们一共死去了一万多个包文源。
十一:热气球
进入这座监狱的囚犯们经历的第一道程序,是在典狱长的带领下,一起去监狱中央的空地上,参观一个停在那里的热气球。
直到某个深夜,一位囚犯偷偷潜入监狱中央,坐上那台空地上无人看管的热气球,点燃火炬,缓缓升空。
典狱长和一些老犯人正在观看那个越升越高的热气球,这是他们定期观看的节目表演:当热气球上升到一百多米高时,突然像烟花一样炸裂开来,纷扬洒落下来。
典狱长在热气球里安装了设定好的气压装置,会在达到一定高度时爆炸。每当一批新的罪犯进入这座监狱,典狱长都会带他们去看热气球,那时,监狱里关押多年的老犯人们,会静静等待某个夜晚的烟花。
某个深夜,一位新来的囚犯坐入热气球,点燃火炬。典狱长和一群老囚犯坐在空地上冷眼旁观,期待着烟花的玩笑在天空中炸裂。
热气球逐渐上升,越升越高,高过人群黑压压的头顶,高过监狱长满玻璃渣的围墙,高过瞭望塔上士兵的射程,始终没有爆炸。在典狱长和老囚犯诧异的眼神中,热气球消失在天空中。人们认定,它肯定是在爆炸后被高空的气流吹散飞走了,碎裂的人体与橡胶会散落在河谷里。
一只热气球越过山野与峡谷,渐渐熄灭后降落在草原上。囚犯从热气球内走下来,燃烧殆尽后干瘪里热气球里,滚出了另一个人的尸体。之前,有个人藏进了热气球里,用呼吸,用自己身体内的气,一口一口置换了热气球中原本的气。
直到下一个囚犯坐上热气球,点燃,热气球内会爆炸的毒气已经被全部替换为一个人的呼吸。他曾呼出的每口气开始燃烧、升温、升入天空、飞翔与坠落,让一个人和一个人的尸体获得了自由。
十二:弹坑
爷爷说,战争发生时他们蜷缩在壕沟内,每个夜晚都会看见,两方阵地中间的战场上,炸开的手榴弹坑里会冒出一种介于植物与动物之间的生命——每个人身体缺少的部分——爷爷身体残缺的一条手臂从某个手榴弹坑内长出来,作为一个独立的生命体。
战场上连成片的弹坑内竹笋般冒出独立的手、独立的嘴与独立的耳朵……它们不再依附于人而是具有自主意识。
战争早已结束了一个世纪,在那片雨林深处,一群独立的器官生活在那里,如同一位位脱口秀演员,站在手榴弹坑内表演脱口秀:嘴在台上讲,耳朵在下面听,没有人能笑。
十三:英雄
他已经成为了壮烈牺牲的英雄,浩浩荡荡的宣传攻势攻占了每一页报纸。但他其实没死,为了配合人们完成英雄的神话,他必须死去,因为人们需要这样的神话,作为精神食粮。
因此,他再也无法使用自己原本的身份,永远失去了自己原本的姓名——那已经不属于他这样任何一个活着的人,而是需要被焚香祭拜。
他余生藏匿于村子,活在所有人的背面。祭拜英雄庙宇的人、跪拜神像的人,已经无人认识他。
村子里偷吃贡果的流浪汉,死于去年冬季,翻墙去人家里拿废弃纸板时被狗咬了,大腿感染致死。
十四:尘埃
物理文学专业上课时,写作者们在实验内调节一盏量子灯的亮度,扰动光芒中粉尘游荡的深度与力度。直到在光里发现一粒新的尘埃,与历史上的每页图谱对比,确认它是从未被人类观察与描述过的尘埃,将之捕捉,为其命名。
下午,全班同学都出席了即将与βGC482尘埃相撞并坠毁的ζXV391尘埃的葬礼,主持葬礼的导师讲述这粒尘埃从诞生起,在漫长量子隧道内游荡过每个多重宇宙,它一生只游过了一英尺,但比每个人走过的时空都遥远。
在量子显微镜拍摄下的某帧宇宙幻灯片内,那粒尘埃撞毁时,一位外星脱口秀演员正在尝试逗哭一块石头,他用游荡的光芒记下:“人的生命由无数无意义的对话组成——那是我和世界摩擦的细小声音。”直到,那个声音撞击在宇宙中的每一粒尘埃身上,直到,以一粒一粒尘埃的撞击耗尽整个宇宙的物质。
十五:侘寂
第三次世界大战中,人们制造出声子武器投向敌对国家,爆炸散发出的辐射会使说话者体内的时间发生解离。活下来的每只动物必须放弃说话,否则在辐射作用下,说出的每个字都会从体表生长出来,记忆被视觉化为词语在时间中的排列。一百句过后,口鼻会被生长的语句遮蔽阻塞,使人窒息而亡。所以,每个人都只剩下最后的一百句话可以说。
有人说了一百个人的名字与问候;有人念了一百首诗;有人说出了一百颗天体的名字;有人叫了一百次床;有人守着自己的一百句话,直到老死也什么都没说……
人们演化出了一种特殊文明,一切事物只存在于一百句以内的尺度之上。生命将一百句话均匀分配为人的一生,在说出的前十句话里,人从婴儿发育为孩童,在说出的十到二十句话里,孩童们完成学校教育,在说出二十到三十句话里,成人从学校走出,站在流水线上,开始加工整个世界仅存的声音……
流水线上的聋哑人正在切割加工自己的声音,将一颗颗喉咙,红肿的、流血水的、长青苔的、镀金箔的……压缩进一只只罐头内。
一家人围坐在餐桌前,打开罐头,品尝今天的声音,用筷子夹出从香蕉园里运来的 “侘寂”:
在香蕉园内最高的树上站着一群乌鸦,这个品种的乌鸦极其短命,出生时从树上坠落,用黑色的嘴巴深吸一口气,在坠落途中朗诵一段声音,着陆时结束生命。
曾有两只乌鸦将在空中坠落的全部时光用来接吻,它们在坠落的短促人生中一言不发,两只黑色的嘴巴里共同含着一段声音,从未发出——它被称为“侘寂”。
它在坠地前一刻,抬头吻向头顶的另一只乌鸦,将口中所含的“侘寂”传递给它,而它也将在坠地的前一刻吻向头顶的另一只乌鸦,继续传递“侘寂”……
有时鸦喙之间传递的速率快过乌鸦的坠亡,“侘寂”便踩着一只只鸦喙向上漂浮,像太阳攀升至橡胶园内最高的枝桠。有时传递速率慢于坠亡,“侘寂”便沿着鸦喙滑梯如星月下落……在口口相传中,“侘寂”像一艘游曳于深海的潜艇,上浮或下潜,从未着陆。
一只只乌鸦在短暂的时光里纷纷坠亡,如晶莹露珠在草叶上迸溅消逝。“侘寂”从一只嘴吻入另一只嘴,从未被说出,构成一片从未着陆的永恒空间,如不会沉没的潜艇无尽航行于无边无际的死亡之上。“侘寂”从未开启的舱门里,收藏着乌鸦生命的奥秘,它是万物渴望聆听,但唯一即便被听到也永远被无法说出的声音。
奶奶死时,你看见一个小人从她耳朵里走了出来。原来你们一生听到的所有声音,从来不是面前的人发出的,而是你脑子里住着的一位小人终生在与你对话,构成了你听到的一切话语。
每个人在出生时都会和自己的分身进行抽签,一位走出体外作为躯壳,一位沿耳道走入颅内。颅内者的工作是从你出生开始盖一所房子。将记忆用破壁机离心出语言颗粒,情感像水泥石灰般搅拌,粉刷的楼层结构若时间拓扑……修葺完工后,人在住进去的一刻记忆停止更新,这便是死亡的含义。
战后,因为各种辐射扰乱了空间的声音场域,致使发出的任何声音再也不会消失。昨天、前天、上周的动物、汽车、人发出的叫声、轰鸣、语言,永恒在空间内游荡。
根据计算,再过一个月,地球便会被万物发出的纷繁声音堆满,那时,人们将只能且时刻听到一切过往的声音,并再也听不到任何新发出的声音。
人们将目前尚未被声音占满的“分贝空间”,作为一种稀缺的公共资源,进行统一分配。每人必须使用社会发放的声音配额才能合法发声。每人每天可以领取到说出一句话、或听一首歌、或发出10S以内物体音的声音配额。超出的人会被“禁声”:关入无声的真空。据悉,这项规定能够将人类的灭亡拖延到一百年后。
今天,他去银行,取出了自己存了十年的声音配额。走回家,关好封满隔音棉的门窗,开始播放与聆听一张音乐会的唱片。一小时后,十年积蓄耗尽的他,发出了超出法定配额的一个声音:他从十楼窗户坠落地面的声音。
后来,在“分贝空间”彻底耗尽时,一切声音都同时存在,但仿佛一切声音都消失了,人们再也听不到任何声音,每个频段依次失踪,海浪拍打礁石仅剩下无声的动态画面,
那时的人从出生开始,就无法按下胸膛上录音机的停止键,录音机时刻在录制他心脏的声音。古时候,曾数万人同时录制自己的心脏,构成一片海,据说这便是海的起源。
在声音消失后,族长是记住整片海的人,他至今躺在医院里,已经被抢救了数十年,这是恢复人类的海的唯一方式。
人类的海域被他窃入了自身记忆,大海只剩下了一片无垠海床。躺在病床上的他,耳中不断泄露出记忆流溢的海水。人们排着队依次走过他的床前,用碗、杯子、脸盆、马桶等不同容器,接住他耳中流出的海水,排队在海床上行走,将水重新倒回去。
他将海窃入记忆的目的是激活脑中的鱼化石重新开始演化。在他漫长的学龄前童年里,他的父母都在犹豫是否要丢弃他,因为他不会说话。
他的声带构造与众不同,其实时刻都在不受控制震动,无法停歇,不过频率不在人耳的听力范围之内。即便他声嘶力竭,拼劲全力嘶吼与呐喊,人们也只能看见他张开了嘴巴,却听不到任何声音。于是,人们将他当做一个哑巴。
但他能够听见人们说话,于是他学会了人类的语言、数学与作曲。即便他在课堂上唱歌,比老师的讲课声要大得多;即便工作时他常常在会议上唱歌,比老板的讲话声要大得多;都不会有任何人听见或在意。
从出生开始,到生命结束为止,他醒着的每个时刻都会听到一种低沉的隆隆作响的鼓声,像是一个人的舞步,每秒钟跳跃7.83下,轻盈落地又升腾,这是地球震动的频率:7.83HZ。
他使用这一震动作曲,制作出人类听力范围之外、只有他自己能听到的音乐,将这段声波发射向太空。第二天他起床时,这首歌已经离开大气层。下周他上班时,这首歌已经抵达月球。数十年后他去世时,这首歌正逐渐脱离太阳的引力范围,飞向更远的星系。
幼年时他曾爬到父亲的电报机上,当喉咙接触撞针,震动通过机械装置传导,在纸条上打孔。父亲尝试用人类已知的各种解密法,破译他的喉咙在纸条上不断打出的孔洞,它被翻译成数字:4.351968×10的17次方,译出的数字每秒钟都会加一,似乎是某个时间刻度,这是他唯一能说出的话。
后来,他因厌食症而死,死前,他虚弱地按动指针,将他所看见的景象告诉了你:
他将每个字作为透镜,透过它能够观察到事物折射的过去与未来。例如观察蔬菜与水果时,他会看见纤维与肉类的历史,它们在漫长的时间里依次流转为他身边认识的每个人——父亲、妈妈、妹妹以及他自己——是食物的过去与未来。他无法将朋友或家人吃下腹中。
他看见,脚下的沙土在时间中依次与自己熟悉的人脸重叠,于是他无法再行走,因为难以将脚踩在人脸上。
他看见,空气是曾生存、衰亡,正时刻分裂与涌流的细胞,作为巫祭与罪犯、作为父母与子女、作为车床与数字人。他看见生命在离心机内迸溅为最敏感、真挚、纯粹的视觉、听觉、触觉、嗅觉、味觉——神话、人体、动物皮毛、植物根系、器物的茎、礼俗、图案的方位、数字的波普、颜色的几次方……
他看见字会依次流转为每个有生命与无生命的事物身体,他在抄字时抚摸不同人与物的肉体。这几乎成为他唯一可做之事,他迷恋和沉溺于,以自身触碰历史的情欲。
他从肋部切下一页页面包片,如一部布满雨雾的信仰之书,他史前的父亲、现在的母亲、未来的儿子分别埋在矿难的不同位置,猿人的夏天、曾祖母的夏天全部生长在他身上。他将自己拆解开,组装为一座岛屿,岛上的家人面孔能将感官折叠。妈妈将记忆折成一只风车,他将记忆折叠为一条蛇。
现在,他将纸蛇展开,拔下氧气管的他缓慢从口中吐出,自己曾经吃下的每一个罐头,拉开罐头盖,里面是一只只纸折的不同动物的耳朵,正在分娩声音。
最终,无法进食、无法移动、无法接触任何事物的他,以诡异姿态死去。
他感觉自身意识似乎流动成为了一段MIDI信息,他看见一种肉体可视化的音乐实体与他对话。“歌”说,它们那里的生物都演化为了MIDI格式,每颗星球自身独特震动的节奏与音色构成一首旋律,生物是星球演化出用来记录这一信息的实体乐谱。
歌体生命的日常生活是共同倾听一首大歌,每个生物身体记录的不同星球的震动旋律分别是这首大歌的一个配器或乐句。“歌”告诉他,此刻这首歌即将收尾,还剩下最后一分钟就将播放完全部MIDI信息,整个宇宙将随之湮灭。
被同化为歌体生命的他,将自己的全部记忆压缩为一段MIDI信息,在最后一分钟播放一遍:
它的主题是,如何向一个生命说出海。
形容一个海的方法,是完成形容每滴水的工作:用一个个不同的词分别映射每一滴水,以每颗水滴模拟一种情感,如此构成的庞大矩阵便是海的形容词。
当宇宙停止膨胀,重新收缩回一滴水珠大小。那时,被关进虚无之内的生命,令事物恢复的方法是在想象中以记忆重构海的矩阵,其中每一滴节点是一种承认,只要生命真诚承认一件事,时空便会恢复一件结构:承认愤怒,令武器恢复;承认疾病,令药物恢复;承认怯懦,令货币恢复……他们一直不敢承认历史,于是时间至今未能恢复。
目前,他已经完成了形容一条河的工作:“扑通、扑通、扑通……”每个事物跳水的声音,在遨游中用肉身拓展悲伤的深度,涟漪蔓延的层级即文明。
当潮水退去,在裸露出海面的最高山峰上,有新生动物捡拾到一台录音机。它按下播放键,“扑通、扑通、扑通……”,根据跳水声,可复原出种种新物理学与文明。
……
上述每个故事是此刻的水声,是侘寂。
Published November 27, 2024
© 2024 Bao Wenyuan
- The Book of Skin
Originally, people were drifting souls, emerging from hills, edging along treetops, and flowing on rivers. The emperor conceived the dreams, ones that were about stars, roses, and graves. And then blew air into these dreams vast like primitive champaigns and deep oceans, until the outside coat was extended to a misty cloud of fabric. He made a puncture, and the air gushed inwards, swirling in the souls scattered all over the plains and mountains. This natural, gravitational pull had a name called desire. The drifting beings followed the fugue of desire like a Fibonacci sequence, and crept in one after another.As every X entered, the emperor tied close the dream and cut the knotting clean with a sickle, just like a cannery worker doing packaging. These wrappings were made of sighs, as he thought of the boisterous children and his wife he would see after work.
Therefore, everyone’s skin belonged to the emperor since the origin of their pedigree. All people’s skin belonged to the emperor. They only had the right to use it, but the emperor held its ownership. It was only leased temporarily to animals for tillage, padded under their soles.
For every solar term, the emperor would take his inspection in the form of a sacrificial ritual, recording the people and animals existing in a period on a certain part of everyone’s skin. Every night, the emperor sat on his imperial bed and folded people. Her body was folded for times, and taken apart like the pedals of roses. In villages covered with scattered flower pedals, people lay on the road, their skin lined up as chapters of history.
The emperor sent eyes all over the state, installed on every villager’s body. Every man had an eye on his body, all in different places. Its location was kept as an utmost secret, and would never be shared with outsiders. People covered their entire body, concealing the emperor’s eye. They wore full-body ropes with only their own eyes shown. They thus never saw others’ eyes, but the shared knowledge was, that they all had an emperor’s eye on others’ bodies.
The emperor stayed at the center of the state, observing only one thing every day: others’ eyes.
Anyone had the freedom to leave the state at any time, but the emperor would take back the skin from state deserters. They were flayed from the head to their feet. Those no-skinners walked towards the border, naked, and fell to the ground hundreds of steps from the boundary mark. No one could fully enjoy their freedom to leave the state alive.
Many years later, they overthrew the emperor and regained ownership over the skin, through eating one of his dreams.
This was that dream:
In his late years, Caesar wanted to see himself fighting again, and gathered a group of magicians to build a dream player. He lay himself in the wooden box they built, and indeed returned to the battlefield.
In fact, the box contained mesmerizing drugs that would swoon Caesar, followed by a real war waged by his own troops.
Caesar grew addicted to the box, since it would bestow him with regained vitality. As he dreamed every day, his troops killed each other in the real battles, encroaching on the number of soldiers. At last, the neighboring country invaded, ending Caesar’s reign. Before he died, Caesar didn’t know why his troops never showed up.
Besieged by enemies, he opened the box and huddled himself up inside. For the first time, he had a dream.
This was that dream:
After the Romans conquered Greece, they followed the prophesy in the classics written by a late Greek philosopher: they destroyed all the clay-built architecture, and rebuilt the church with the rust-proof lead. The women used water transferred by lead gutters, they drank water in lead cups, cooked with lead pots, applied lead make-up, and brewed wine in lead barrels…They redeveloped the nation’s recipe, transportation, and festivals based on lead. Eventually, miscarriages ensued, a testament to the prophecy. Those who lost their first children, chose to adopt animals as sons and daughters. Bearing no posterity anymore, in its nature, means bearing no dreams anymore, and dreams are the bodies to carry on the mythologies. In the end, the dreamless ancient Rome lost their own mythology.
She has been pealing the pomegranate when she is slacking off at work. She swallows pieces of seeds and stores them in her stomach. The seeds are attached to the stomach wall, sucking the bodily fluid out of it. A month later, she disgorges a whole pomegranate. As she looks for the cause behind this, she finds the inner side of her skin covered with words—still forcibly occupied by the emperor.
- Punishment
He started his history in a poor village: levering schemes for power, eliminating dissidents, eventually monopolizing power for himself, and seizing emperorship. But at the coronation, his mind drifted away, and then he found himself back in the poor village. He had to find his feet again in poverty, and grow accustomed to being bullied by people around him, instead of receiving their flatteries. He had to remember everything fast, and make sure every event was repeated exactly like the previous time, until he sat on the throne again. But at the coronation, his mind drifted away, and then he found himself back in the poor village…He knew, this was some kind of punishment, but he could not stop.
One day, he was flogging a disobedient civil official, wielding the stick and beating him until the skin was covered with lacerations. He didn’t know, that the official was from a distant, foreign world, where injustice, oppression, and bullying were extinct. However, as people there sometimes missed the ancient feeling of being mistreated, which led to the birth of “the journey to being enslaved”. Tourists would travel to ancient dynasties and play the role of tyrants’ lackeys, rekindling the life experience of ancient people, whose freedom was deprived from them.
Sometimes, tourists might inadvertently kill the king, and the game would automatically restart.
- Ginkgo
In the summer, you were in the cold basement with your father, learning how to make water ice. Stab the knife into the ice mortar, twist it, and mince up the fleshes of ice.
Father used to work on a whaling ship at his younger time. They would use a massive drilling machine, opening a hole on the vastly bulk icy surface. The pipe twirled around the ship was freed, extended under the surface meter by meter, and some mysterious creature deep under the ice would swallow the pipe into its mouth.
The crews were asked to take physical examinations for creatures under the ice. Each one of them would hold a mirror and climb into the tube, traveling along the claustrophobic cylinder, until they reached the creature’s inside.
The person at the front captured its heart with his mirror, and the heartbeat was passed up, glass by glass, as a string of pulses showed on the captain’s monitor.
On the screen, father saw a heart in the shape of a ginkgo, shedding pieces of leaves as the heart pounded. Anyone who touched the ginkgo would learn some unknown characters, but he who learned a new character, would have a tooth fallen out from the mouth.
Trading all their teeth for characters, crews in the tube sent dozens of characters above ice, and back to the continent.
Years later, you asked him about the characters he once transported. At that time, he had lost all the fallen teeth—only with the tooth, could one carve out the character on the ground.
So he could only tell you some stories, intertwined with each other, to touch upon that character’s color of skin, category of the noun, and its phonology:
People in this village earned a living by making paper dolls. On one Lantern Festival, a lantern ignited a paper doll. Attached to one another, the fire passed on and burned down the village. On the pitch-black ground, for every Lantern Festival, a paper city erected itself. Every person walking on the street was a piece of clothing.
The traffic policeman was guiding a group of goblins to cross the road. For every step taken, there would be a shoe left. As the goblin walked, a trail of shoes was left on the lake surfaces and in the valleys, traversing countries and continents.
If people living in different mountains pick up one of the shoes and put it on, they will, no matter how physically far from each other, fall asleep in the same dream, and encounter the others who also have shoes on their feet.
The weight of the universe is equal to the weight of all the ongoing dreams combined. As one sleeps, a creature grows—eventually to the length of a lifetime’s dreams. On the land made of its body exists many doubles of the asleep, transcribing scriptures day and night.
The civilization beyond the galaxy has been attempting to lure us out of our physical dreams once and for all, through literature, films, music, dance, architecture, and sculptures, among many other ways. Eventually, the weight of our universe will continue to diminish, curling up to a piece of paper, like a piece of ginkgo leaf.
- Elegies
Climbed out of a land of clay after death, he could only learn the craft of pottery. During their unending death, they molded men from clay, one after another. The only figures there to mimic after, were the ones who were learning pottery. Everyone has a ball burning fire on their face. Every taste bud became a piece of farmland, and they divided each one’s tongue into some ten thousand farmlands, like tenant peasants were pulling the noses of water buffalos, walking between the paddies, piercing rice seedlings into the soil. Eventually, their craftsmanship of pottery became impeccable, and the molded men were identical to the living souls.
The clay man wanted to speak, but was found wanting in words. The dead then climbed into the clay man from its mouth, becoming its word to be spoken out. At the same time, the dead traveled along its path of voice, and was born from the molded body he built himself.
Grandma returned to lie in the cradle in her remaining years. When you were humming the lullaby and gently shaking the basket, every night, she passed down a part of the ritual through her dreams. You had been doing a special business since the Shang dynasty: after receiving a parcel, shove it into the vagina, and a week later, send what came out of it to an enigmatic address.
If a baby refused to be born, it would return to death, and its family would contact you. But most of the times, parents were negligent of this minute change of emotions, as it only quivered like dews on cicada’s wings.
You had opened a surrogate parcel once, inside was an animalizing elegy.
You followed the faceless postman, to a tribe of people from the Zhou dynasty. They lived in rooms separated from each other, with only water balls as messengers to the outside. You read out a piece of poem, and it returned a prescription. You took the script home, and let it simmer with seaweed soup. The words and symbols moved about like tadpoles, and grew in your body as he drank them.
The dead people in the village, who lost their lives long ago in floods, droughts, and conflagrations, held their human shape by swallowing gulps of memories of the Chu Elegies at night. They kept drinking, until a word got wrongly recited. The water within then dissolved their skin, turning them into lanterns, flickering in the wind.
You put the lantern of your mother in the fish tank and fed it. The candlelight below the water blew out glaze bubbles out of the liquid. The bubbles paced themselves with the desire to breed and the desire to crawl, so that the frequency resonated with your pulse.
By that resonation, your heartbeat stopped, for three seconds at first, then with some practice, for one minute, three minutes. In those minutes between the heartbeats, you saw a historical version of the evolution of everything in water—the Chu kingdom underwater and spacecraft. Those pilots had invented a language that would not sink in water, just like fish eggs.
- Rivers
In this country, in the upstream, midstream, and downstream, reside the past, present, and future.
People living along the upstream are forever in a childhood state.
The only way of growing up, is to sit in a coffin, and drift along the river.
Reaching the plain along the midstream, they stand up from the coffin, step on the ground, and live the life of the middle-aged.
The only way of aging, is to sit in the coffin, and drift down the river.
- Invention
Every king was a great inventor, like a puzzle-playing child, he invented every aspect of your life: clothes, food, funerals, marriages, and sleep.
In the history of invention that shaped the country, the first king invented clapping. It would automatically defeat all the enemies of every tribe: hitting the spear-gripping left hand and the shield-holding right hand, they smashed all of their weapons.
The second king invented the laugher. It will make the captivated tribe automatically forget their wounds: a clown stood on the stage, grinding his bare shoulder blade to make painkillers, and casting the powder under the stage light, to every mutilated bud of tongue. After all of his bones were ground to dusts, the next one succeeded to the stage.
The third king invented boredom. It would make every resident to engage automatically in labor:
…
You elected the cloned man as king, codename Kafka, hoping he could invent a new format of memory. He compiled conscientiously like a programmer, and left with a hundred questions, fifty of which were about fifty emotions unincluded in the dictionary.
The twenty-seventh emotion was the one when a child was reciting tongue twisters, he realized the dog’s hometown was the only one that had been left. It was originally a tribe of tongue twisters, and everyone in the tribe was a piece of tongue twister. When addressing each other, people would read out the entirety of the wordplay:
Time tick-tocks with a tacky rhyme to topple the sky
A chick eats and pecks, at the technique that memory begets
The skinny skeleton smothered by the thick skin
Go out from the north gate and bridge across, look down the bridge for the sight of corpse. Collect them with a rod, red ones are less, blue ones are more: one corpse two corpse three corpse four corpse five corpse six corpse seven corpse eight corpse nine corpse ten corpse
…
The tribe leader had the most difficult tongue twister. No one could read out his body.
After committing his assassination, Kafka dissected him, putting his cells under a microscope. Kafka discovered, that in his body, the tribe leader treated memories and everyday life with set theory. The leader asked every member for the weather, input the answers into a pseudorandom number generator, and brewed out 30-year proverbs (all the weather one has seen in 30 years) and 60-year proverbs (all the weather one has lived through in 60 years)…
Kafka cut open his pancreas, double-clicked and opened the master program of proverbs. A perpetual process named Adam started its execution. It burst out, like the beating heart, submarines to the deep ocean, seeking the asylums for the forgotten things.
One of the containers accommodated the forgotten steel. Kids dropped their farm tools, running to pick up steel wastes from the mill: the chamber-pot ones used when robots were leaking out oil late at night, and the stubble ones, like the remaining paddies when the star was shaving its hairs grown on craters.
After that, all the steel disappeared, along with all the characters and slogans, reclaimed over the night. Mother, who was wearing a red armband, slept on a blackboard, waiting for the slogans to come home. On the flowing dark land, Mother’s missing father was found, he had hanged himself on a pipe inside the factory water tower. He was already drunk down by everyone.
Mother collected everyone’s urine, trying to retrieve her father by distillation. Amid the patriarchal mist in the greenhouse, she filtered out the fathers of different ones—it was human nature to be obsessed with unimaginable things.
On her death, she only left one sentence in her entry: he was the biggest frog in the world.
- Working
You are hired to work, not for doing something, but for not doing something.
The human destiny planning department behind every boss will hire everyone to work. For example, if Hitler were to be hired to work on the Foxconn assembly line, there would be no World War II.
If most people have the freedom to choose whatever life they want, the world will be filled with all kinds of weirdos. To guard human destiny against interference, the human destiny planning department will hire all of you for work.
- War
His son died in a war. He started to gather everything he could find about it: new reports, scholarly works, atlas, diaries, oral accounts, videotapes and audio cassettes…
He assembled all the accounts about the war in the world, and built a battlefield.
Stray bullets flew by, illuminating the body of night like striking a match. He sat on the middle of his rebuilt war, trying to discern, the figure who killed his son.
- The Camp of Tails
You were recording grandpa’s oral accounts in his later years, like pricking leaves of tea through his teeth. Floating on the water, the leaves formed a book of memoir, recording every massacred soul in that concentration camp. As the executioner at that time, grandpa chopped down everyone’s tail, and released them free.
You sniffed for the weight of rain and thickness of frost, once dropped on and layered on the tea leaf, following its humidity, temperature, and dimension, looking for the trace left by the survivors.
You published your research about the memoir in an anthropology journal. Many scholars were skeptical about the existence of a concentration camp like this, as it defied other records and materials.
You spent the rest of your life looking for the camp, hoping it might reflect the glory of humanity within your grandpa, an executioner.
Years later, you excavated the ruin with a hoe. Under the eyes of many anthropologists, the ancient incinerator was opened. The scraps of bones sorted out were not tail bones, but skulls, one after another.
Despite your objection, they published all the research materials. No one understood your rejection, sorrow, and despair, as popularity also found you because of this historical discovery.
On that day, many people, even a whole clan, who saw or heard of the reporting on this concentration camp on newspapers, television, and radio, were not found anymore.
The milk-suckling baby disappeared, a pacifier rolling down from the dining table; the sewing machine spun alone, water cascading down the sink…In the coffin, the survivors, the dead ancestors, disappeared too.
- Name Tag
Uniforms were ripped off from dead soldiers, and were sent to the washing pool behind the factory, stirred and pounded by women workers. As cloths were in shortage, the names sewn on the collar were not removed. They were just given to the new soldiers, and the new kid would step on the battlefield wearing the last soldier’s name, until his death. And the uniform would continue to be passed down.
Herds after herds of people died on the battlefield, all wearing the uniform of the soldier who died first. In that war, we lost some ten thousand Bao Wenyuan.
- Hot Air Balloon
The first thing prisoners had to go through upon entering the prison, was to follow the warden to the empty field at the center, and visit a hot air balloon that was parked there.
Until a certain late night, a prisoner sneaked into the middle of the prison and took that unwatched balloon. He lit up the torch, and slowly ascended with the ballon.
The warden and some old prisoners watched the ballon, this was their regular show: when the hot air balloon reached some a hundred meters, it would explode like fireworks, with all the residues fluttering down on the ground.
As the warden had installed a preset barometer inside, the balloon would blow up at a certain height. Upon every new group of new prisoners, he would take them to the balloon. And the old prisoners, who had spent years here, would wait silently for a certain night of fireworks.
On a certain late night, a new prisoner sat in the balloon and lit up the torch. The warden and a group of old prisoners sat on the empty field and watched coldly, anticipating the sarcastic fireworks to blow up in the sky.
The balloon ascended, traveling higher and higher, beyond the dense mass of heads, beyond the prison walls grown with glass shards, and beyond the bullets of soldiers on the watch tower. But it did not explode. Leaving the astonished gaze of the warden and old prisoners, the hot air balloon disappeared into the sky. People were sure that its exploded scraps were blown away by high-altitude winds, with body and rubber debris falling into the river valley.
A hot air balloon, drifting across mountains, plains, and valleys, gradually extinguished its torch before landing on a grassland. The prisoner walked out of the balloon, and from the sunk-down balloon, another person’s corpse tumbled out. It turned out a man had been hiding in the balloon, and traded the air in the balloon with his own breaths.
When the next prisoner sat in the balloon, lit up the torch, the explosive and poisonous gas would have already been substituted with breaths of the other person. Every breath he exhaled started to burn on the ground, jacking up the heat, driving the balloon to ascent, fly, and fall.
A man and a man’s corpse, gained their freedom at last.
- Shell Crater
Grandpa said, during the war, they huddled up in the trench. Every night, in craters created by hand grenade explosions in the middle between us and them, they would see a kind of life that seemed between a plant and an animal—parts of the body that each one of them missed—like grandpa’s missing arm, has grown from a grenade pit, itself being an independent living entity.
Among lines of craters, independent hands, mouths, and ears sprang up like new-grown bamboos…They were not reliant on humans, but acquired their own consciousness and autonomy.
The war had been over for a century. Deep inside the rainforest, lived a group of independent organs. Just like stand-up comedians, each of them was performing shows in the crater: the mouths talked on the stage, the ears listened, no one could laughed.
- Hero
He died a heroic death. The flood of propaganda campaigns washed every page of the newspaper. But he didn’t die, he had to only because needed to finalize the mythology of the hero for the people, since people needed such mythologies as mental foods.
So he could never use his original identity, and lost his original name forever—it did not belong to any living person like him, rather, it needed to be worshiped before the burning incense.
He spent the remainder of his years hiding in the village, living on the back side of everyone’s life. Those who paid homage to the hero’s shrine, and kneeled before the divine effigy, no longer recognized him.
The vagrant who stole and ate the tribute fruits died last winter. He was bitten by a dog when trying to climb over someone’s wall and collect the discarded cardboard. He died from a thigh infection after that.
- Dust
In the literature of physics class, the writers were doing an experiment by adjusting a quantum lamp, trying to modulate the penetration and intensity of dust’s drifting movements under the light. When they found a new sand of dust, and confirmed its novelty, unobserved and undescribed, after comparing it with every historical image, they would capture the dust, and give it a name.
In the afternoon, the whole class attended the funeral of dust ζXV391, which collided with βGC482 and crashed. The supervisor, also the host of the funeral, told the story of the dust: floating across every multiverse along the endless quantum tunnel, it only traveled one inch for its entire life, but that was longer than a lifetime’s journey of any human.
On a certain slide of the universe filmed by the quantum microscope, upon its crash, an alien standup comedian was trying to amuse a stone to the point of tears. He wrote with the wandering light: “Men’s life was composed of countless meaningless conversations—that was the gentle sound of friction between me and the world.” That never stopped, until that sound crashed on every sand of dust in the universe. And, until the collision of every dust wore away all the mass of the whole universe.
- Wabi-Sabi
During WWIII, men produced phonon weapons and imposed them on their enemies. The radiation bursting out from the explosion would dissolve the time within anyone who speaks.
The survivors had to give up speaking, or every word would grow on their skin due to the radiation, and the memories would be visualized as line-ups of words in time. After a hundred sentences, their mouths and noses would be blocked by the burgeoning words, suffocating them. In other words, everyone had only a hundred sentences left to say.
Someone called out a hundred people’s names and greeted them; someone narrated a hundred poems; someone named a hundred celestial bodies; someone yelled out a hundred sex moans; someone said nothing, clinging on to the one hundred sentences until their death…
Mankind thus evolved a unique form of civilization, and every life existed within the length of one hundred sentences. They are evenly distributed over the whole length of one’s life: By the tenth sentence, they grew from babies to children; by the twentieth, they completed their teenage education; by the thirtieth, adults would walk out from universities and stood beside the assembly line, processing the voice left on the world…
The deaf-mute people on the line were cutting and processing their voices, pressing every throat, swollen, gory, moss-covered, gilded…in cans.
The whole family sat before the dining table and opened the cans, enjoying today’s voices. Pairs of chopsticks picked up the “wabi-sabi”, the beauty emerged from imperfection and incompleteness, transported from the banana plantation:
On the tallest tree in the banana plantation, stood a group of crows. This type of crow was extremely short-lived. When they were born, they fell from the tree, took a deep breath with their dark beaks, narrated a string of sound along the way, and ended their lives in a crash.
There were two short-lived crows, which spent the entirety of their falling lives, kissing each other. They remained silent during their entire lifetime of falling, A string of sound was held between their black beaks, unspoken—it was named “wabi-sabi”.
Through the kiss, the submarine was passed to another unfallen crow. The one again held the submarine with its loved one, and passed it to the next through kissing. And the next couple held the submarine, passing it on to the subsequent pair of beaks…
Before the crash, the crow at the bottom lifted up its head, and passed the “wabi-sabi” up to the crow above it, and the next one kissed the one above it before its own crash, continuing the passing of “wabi-sabi”…
Sometimes, the passing was faster than the speed of falling. The “wabi-sabi” then floated itself by stepping on each crow’s beak. Like a sun, it rose to the highest branch in the banana plantation. Otherwise, the “wabi-sabi” slide down like descending stars and moon… Between their beaks, “wabi-sabi” resembled a cruising submarine, floating or diving, but never landing.
Crow after crow crashed and died with a short life, like the sparkling dews burst open on grass leaves. The “wabi-sabi” was kissed into different beaks, unspoken, forming an eternal space without a terminus, like an unsinking submarine traveling on boundless death. Behind the hatch, “wabi-sabi” collected the wonder of crows. It was a sound that every being longed to listen to, yet the only sound that, even if heard, could never be spoken.
When grandma died, you saw a little man coming out of one of her ears. It turned out that all the sound you heard in life, was not produced by the ones in front of you, but communicated to you through a little man living in your brain. He made up all the utterances that you could hear.
When one was born, they would draw lots with their substitute, and one would go out to form the body, the other into the brain through the ear. The latter was responsible for building a house since birth. He would use a possessor to separate grains of language in a centrifuge. Emotions would be blended in the way of making cement, and the painted building has a structure resembling the topology of time… After all the renovation was done and had ones moved in, no new memory would be generated. This was the connotation of death.
After the war, as all kinds of radiation disrupted the audiospace, and any sound ever created would not die down. The sound of animals and cars, human voices and roars, and languages, from yesterday, today, or last week, would be forever wandering in audiospace.
By calculation, within a month, the earth will be stuffed with various sounds created by every living being. Any sound could ever be captured by the human ears would only be the ones created in the past.
Men had designated “decibel space”, one that was yet to be stuffed with sounds, as a scarce public resource, which should be distributed uniformly. No one would speak legitimately without using the sound quota issued by society. Every day, they could be distributed with a sentence, or the right to listen to a song, or to produce a sound of an object within the 10-second duration. Anyone who broke the rule would be “silenced”: locked into the soundless void.
It was said, that this rule could delay man’s extinction for one hundred years.
He went to the bank today and took out his sound quota deposit accumulated for ten years. He closed the door and windows stuffed with soundproofing foams, and started to play a record for of a concert.
An hour later, depleted all his accumulated savings, he made a sound defying the quota, the sound of him collapsing onto the ground from the tenth-floor window.
Later, when the “decibel space” was utterly depleted, all sounds would coexist all at one time. But just like everything had gone mute, no one ever heard of anything. Every frequency of sound disappeared one after another. The wave smashed into the rocks, only leaving silent images.
In the past, when people were born, they were prohibited from pressing the stop button of the recorder on their chest, which recorded every beat of their heart. In ancient times, some ten thousand people once recorded their heartbeat at the same time. The sound converged and gathered as an ocean, and was said to be the origin of the blue water.
After the sound disappeared, the tribe leader was the only one who remembered the whole sea. Now, he was on the hospital bed, undergoing emergency treatment for decades. This was the only way to restore man’s sea.
He stole the ocean of man and stored it in his memory, while what was left remained the boundless seabed. Lying on the bed, his ears kept leaking out sea water spilled over from memories. People stood in line, walking past his bed one after another. They caught the seawater from his ears with bowls, cups, basins, toilets, and other different containers. And they walked along the seabed in a line, pouring the water back into the sea.
He stole the sea to resuscitate the fish fossils in his brain, and to restart its evolution.
During his entire lengthy pre-school years, his parents were hesitating about discarding him, as he could not speak.
His vocal cords bore a unique structure, vibrating uncontrollably every second without stops, but the frequency of which was out of man’s range of hearing. Even though he exerted all his power to scream and yell, to the point of exhausting all his strength, people could not hear anything from his moving lips. He was therefore treated as a mute person.
But he could hear people speak, and he soon learned their languages, math, and knowledge of composition.
Even when he sang in class, louder than the teacher’s voice; even when he sang in meetings during work, louder than the voice of his boss; no one would hear and care about it.
From his birth to his demise, he spent every moment awake hearing a low, rumbling sound of drums. It was like a person’s dance steps, 7.83 hops per second, landing gently on the ground before jumping again. This was the frequency of the earth’s vibration: 7.83 Hz.
He composed music with this vibration, ones that traveled beyond people’s ears, and could only be heard by himself. And sent the music into space through sound waves. When he woke up the next day, the song had left the atmosphere. By the next week, it reached the moon. Decades later, when he died, the song was gradually getting rid of the sun’s grip of gravity, and started to fly to the galaxies farther away.
When he was young, he used to climb up his father’s telegraph machine. When his throat touched the needle, the vibration would be passed through the mechanical device, which punched holes on the paper stripes.
His father tries to decode the holes he made with his throat, with every deciphering technique man has mastered. The holes were translated into a number: 4.135196817,and the number would increase by one every second. This seemed to represent a specific time. This was the only utterable thing for him.
He eventually died of anorexia. Before his death, he dragged his frail body and touched the needle, telling you the scene he had seen:
He treated every character as a convex lens, through which he would observe the past and future reflected from the glass. As he looked at the vegetables and fruits, he could see the history of fibers and meat at every moment. They, through the long history of time, transformed into everyone around him—Dad, Mom, sister, and himself—this was the past and future of food. He could not gulp his friends and families into his stomach.
He saw the sand and soil under his feet overlapping with every face he was familiar with. And he could not take a further step, for he could not step on anyone’s face.
He saw, that air was the cells that once lived, died, and decayed. They were now splitting themselves and flowing. The cells became the ones in priests and criminals, parents and children, lathes and cyborgs. He saw life in the centrifuge bursting into the uttermost sensitive, honest, and pure forms of vision, sound, touch, smell, and taste—mythologies, human bodies, animal furs, plant roots, stems of artifacts, customs, positionings of patterns, spectrums of numbers, mathematical power of colors…
He saw, that characters would transform into the bodies of the living and lifeless. When he was transcribing, he caressed every body of men and objects. This was almost the only thing he could do: obsess, wallow, and indulge, feeling the desire of history through himself.
He sliced pages of bread from his ribs, which resembled a book of faith coated with rain and fog. His father in ancient times, his mother at present, and his son in the future, were buried in the collapsed mine at different locations. On himself grew the summers of apes and his grandmother. He dissembled himself, and assembled into an island. His families on the island could fold their sensations. His mother folded her memories into a windmill, and he a snake.
Now, he unfolded the paper snake. Free from the oxygen tube, he slowly disgorged every can he once ate. He opened the cans, revealing the ears of different animals, giving birth to sounds.
At last, couldn’t eat, move, or feel anything through contact, and he died with a sinister posture.
He felt his self-consciousness flowing like a string of MIDI information, and a pieced physically visualized music was talking to him. “Song” said, every creature there evolved into the MIDI form. Every planet’s unique vibration, its rhythm and tone, constituted a piece of melody, and creatures were a product of planet evolution, the physical music scores recording this type of information.
The song-creature spent their days listening to a grand song together. And different melodies recorded on the bodies of every song-creature from their planets, were representative of an instrument or musical phrase. “Song” told him, that this grand song would soon come to an end in one minute, and after every tick of MIDI information was played, the whole universe would diminish.
He, also assimilated as a song-creature, compressed all his memories to a string of MIDI information, and played it out in the last one minute:
It has a theme: How to tell a creature about the ocean.
When portraying the oceans, one shall describe the role of every drop of water: finding words that fit every drop, and using each drop to simulate an emotion. The great entirety constituted by every drop describes the ocean.
When the universe stopped expanding, it contracted back to the size of a water drop. At that time, for the life locked inside the void, the way to restore everything was to reimagine the matrix of the ocean with memories, in which every drop of restoration was made by acknowledgment. As long as one acknowledged something, a structure would be retrieved in time and space: acknowledge anger to retrieve weapons, illness for medicine, cowardice for currency…However, they dared not to acknowledge history, and time had still yet to be restored.
Now, he had completed the description of a river: “Plop, plop, plop…” This was the sound of everything jumping into the water, who dived into the depth of sorrow with their bodies finning in the water, spreading out ripples with varied tiers as different civilizations.
The tide ebbed away. On the highest mountain peak emerging above the sea surface, a newly born animal retrieved a sound recorder. It pressed the play button: “Flop, flop, flop…” One could restore many new physics and civilizations out of this.
…
Every story above was the sound of the water at present, the wabi-sabi.
Published November 27, 2024
© 2024 Bao Wenyuan
© 2024 Li Yifan
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Bao Wenyuan’s short-short story,”Wabi-Sabi” is like a set of strange dreams, in which there are kings, heroes, soldiers, and wardens, as well as husbands, fathers, grandmothers, and children, and everyone is talking non-stop at different decibel levels. From ancient battlefields to modern-day cubicles, the writer attempts to write down the memories of every life that has ever endeavored to exist through an allegorical narrative technique.
This excerpt was selected within the frame of New Voice, a project launched by One-way Street Journal and supported by Pro Helvetia Shanghai, with the collaboration of Specimen. The Babel Review of Translations in Switzerland, Jalada Africa in Africa, HEAT in Australia, The Stinging Fly in Ireland, and Cardenal Revista Literaria in Mexico. The whole project was devoted to exploring new approaches to literature and identifying new writings in cross-lingual discussions, bringing together a new group of experimental and independent writers, and providing them with translation, editing, and publication support.
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